Lighting
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by Steven Gladstone · Posted
High end is a subjective term, and in terms of high-end lighting for film and video, you will be able to find such light fixtures in use on a variety of productions, in the middle of a cornfield on the next indie smash, or hanging in a studio grid for next summer’s blockbuster. Really, the best definition for what makes a light high end is that whatever it does, it does it well, without hiccups or failures, and is clear and simple to use, with good ergonomics. If you need to tape a gel to the light fixture, then you’re either not using it the
by Shawn C. Steiner · Posted
It’s unfortunate that when I am going out on longer hikes and trips, my lighting kit is generally one of the first things to get left behind. Usually, this is okay—if I’m shooting landscapes or doing some doc-style work, the lights probably wouldn’t even make it out of my bag if I did bring them. However, there are those shots that would benefit from a flash of light or a setup that needs a little bit of fill to make perfect. Fortunately, portable and durable lighting is becoming more and more common, and here are some of the best if you are
by Cory Rice · Posted
If you are a photographer who shoots on the go and prefers to travel light, artificial lighting is probably not a part of your daily carry. However, there are countless situations where a shot requires more than available light—whether as a primary source or to add fill. Luckily, there are many compact lighting solutions to keep you prepared for these scenarios without weighing you down.
Nikon SB-700 AF Speedlight
On
by Shawn C. Steiner · Posted
When building a lighting kit, it might make sense to just get matching fixtures. I’m here to tell you that you shouldn’t do that. Have a couple of matching options to make some setups easier, but supplementing with another type of light can make life so much easier for other situations. Here are six lighting combos that shouldn’t be overlooked.
Conduct an Orchestra with the Luxli Timpani and Cello
“Key” to any kit is a key light. With this kit I have to recommend the
by Shawn C. Steiner · Posted
One of the best upgrades anyone can make to their photography gear is in the lighting department. Getting your first or, even, extra lights can transform your images in countless ways. It is also a great way to learn more about photography and expand your capabilities. Here is a quick list of seven lighting kits with options, for absolute beginners to seasoned professionals.
Bolt VD-410 Manual Flash, Times Two!
Absolute beginners don’t need much more than a speedlight to start experimenting with light. One of the most practical for them is one
by Andrew Eisele · Posted
Have you ever wondered how to set up dynamic lighting for your event or party? There are several low-cost and easy-to-program lighting systems that will allow you to create beautiful and engaging atmospheres for any occasion. In this article, we’ll explore various options of available lighting equipment and DMX, the programming language developed to control lighting equipment and related accessories.
DMX-512 is a serial protocol, digital, unidirectional, and with no error checking. Like most digital cables, the signal quality degrades over
by Ronald Francis · Posted
The Luxli Timpani is gaining a great deal of popularity, and the reason is simple: everyone in professional video production needs a bicolor 1x1 panel, and the Timpani offers bicolor, RGB color, gels, effects, and remote app control, all in one, and at a price that’s a steal. Simple. The first batch sold out in about a week. 1x1 panels are the most commonly used lights in video production because they’re the easiest to match to
by Steven Gladstone · Posted
The Luxli Timpani light is an extremely useful light fixture. Not only does it provide a strong and beautiful output, it is flexible enough to match with almost any other available fixture. This makes it a no-brainer to add to your existing light kit. Just add another light stand and a case—the Luxli Timpani is slightly smaller than other
by David Adler · Posted
Around the time professionals started to adopt LED lights into more serious lighting setups, I was in college and working part-time at a photo/video equipment rental house in New York. One of the most popular rental items, lighting-wise, was the ubiquitous Litepanels 1x1, now long discontinued and replaced. It was big enough to provide a decent throw, while being lightweight and small enough to cram into a small soft case with other panels. For the professionals who abided by these lights, gone were the days of lugging around huge lighting
by tom kirkman · Posted
Everyone who has ever lugged around heavy gear has a soft spot for the breakdown studio. They all have in common the barest you'll need to get the job done, are fast to set up and break down, and are lightweight. Of course, there are choices to be made—flash or constant light, for instance. Flash has the benefit of stopping action, while constant sources allow you to see exactly what you'll get in the finished product. Constant light sources include tungsten-halogen (hot lights) that live up to their name, fluorescent, and the current