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by John Harris · Posted
The Pentax K-3 DSLR is getting a lot of praise for a camera that was only announced three weeks ago. Specifically, the first-of-its-kind selectable anti-aliasing simulator is garnering attention for an optional function that, prior to the K-3, required two separate cameras to achieve. But in my short time with this camera it became clear that it’s not just the anti-aliasing filter option that makes the
by John Harris · Posted
Rokinon has rolled out nine mounts for their new 16mm f/2.0 ED AS UMC CS lens and I was able to give the Nikon mount a test over the course of a summer weekend. As these lenses are all designed for APS-C or Micro Four Thirds cameras, their focal-length equivalencies must be taken into account. On the APS-C mounts, the 35mm equivalent is 24mm
by Allan Weitz · Posted
On the surface, it’s sometimes hard to tell the differences between entry-level and mid-level DSLRs. Though some mid-level DSLRs are physically larger than entry-level models, they’re not always larger—and even when they are it’s often not by much. Not until you pick them up, peer through the finder and fire off a few frames do you begin to appreciate the heftier, more solid feel of the camera, and inevitably the camera’s quicker AF and shutter-response times. In addition to feeling beefier in the hand, mid-level DSLRs are also sealed more