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by John Harris · Posted
To test the new features of Nikon’s D7200 DSLR and show off its abilities, I took two simple strolls from the B&H SuperStore, at 9th Ave and 34th Street, around our West Side neighborhood, finishing one walk atop the Empire State Building, just four bustling blocks from our offices, and the other on the Highline Park as a lovely spring day was coming to a close. What could I find interesting to photograph in just four blocks, you say? Well, this is New York City, so plenty!
The
by Bjorn Petersen · Posted
Apple’s iPad, both the iPad Air and iPad mini models, has its obvious appeal and values that make it a go-to tool for numerous situations. Its wide-ranging functionality and general all-around utility make it an ideal component of almost anyone’s daily life. Sometimes its values lie in the realms of luxury, whereas other times it is an incredibly useful asset that can boost productivity more than any other technological component can. In the hands of a photographer,
by David Brommer · Posted
Imagine traveling with a small camera kit that weighs less than 5 pounds and produces photographs worthy of a National Geographic photographer. Imagine being able to shoot all day, walk to the top of the mountain, and not have an aching back? Then imagine returning home and all the post-processing work is done and your images are ready to be printed or posted to your blog. How about traveling with just one rolling suitcase and a small camera bag while avoiding checking-in luggage? In short, carry-on luggage rocks! Checking bags is time
by Todd Vorenkamp · Posted
Many years ago, back in the days of wired telephones and film, most photographers did not give white balance (WB) or color temperature much thought. Those who did would carry around color-correction filters to screw onto the front of their lenses that would cancel out the color casts of the artificial or natural light illuminating a scene. If you were paying attention back in those ancient times, you may have noticed that some film was marketed specifically for indoor or outdoor use or specific light sources.
My guess is that many digital
by Josh Taylor · Posted
An impressive transformation has been taking place on the optical front over the past few years, and that trend is accelerating, going into 2015, with scores of new interchangeable lenses being introduced by major camera makers and lens companies alike. These innovative lenses run the gamut, from those designed for mirrorless interchangeable-lens cameras to APS-C and full-frame DSLRs, and this optical explosion greatly enhances the range of creative opportunities for picture takers at all levels, from casual shooters to pros. Lenses are
by John Harris · Posted
Zeiss continues to expand its lens family for Sony mirrorless cameras with the announcement of two autofocus lenses built specifically for full frame E-mount cameras—in other words, for the wonderful a7 series of cameras. The new Batis 25mm f/2 Lens and the
by Shawn C. Steiner · Posted
Tamron has recently released the first full-frame-compatible ultra-wide-angle zoom to have a fast f/2.8 constant aperture and built-in image stabilization, the SP 15-30mm f/2.8 Di VC USD Lens. I was asked to test the lens for this review, so I mounted it on my Canon 6D to really see what it is capable of—and I can say, right off
18,256 Views· Posted
Despite the seemingly endless grip of late winter upon New York City, I set out to test Nikon’s first DSLR of 2015 in the conditions they alluded to during its release. “I AM CONNECTED CREATIVITY,” screamed the introduction of the D5500, which was positioned next to marketing material highlighting a group of friends living it up on a summer day of relaxation and adventure. Without the scenic Denver backdrop or warm conditions, I still sought out my own connected creativity and sense of adventure with the D5500, a pair of lenses, and my
by Garrett Gee · Posted
The XF 16mm f/1.4 R WR is Fujifilm’s newest lens, bringing increased versatility and imaging potential to the X-Mount system with a 35mm format equivalent focal length of 24mm and a bright, f/1.4 maximum aperture, which is adjustable in 1/3 EV steps. Together, these features provide excellent light-gathering ability during dusk, nighttime, or indoor shooting situations, along with an expansive angle of view that can be used by landscape photographers to better capture the drama of a scene, or by wedding photographers to fit large groups
11,371 Views· Posted
In this video from B&H Photo, Allan Weitz introduces the new Lensbaby Velvet 56, a 56mm f/1.6 lens that provides soft-focus images, and can focus as close as 5" with a 1:2 reproduction ratio. Weitz describes the feel of the lens itself, and the look of the images that it produces. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
by Todd Vorenkamp · Posted
Since its arrival on the mirrorless scene a year ago, the Fujifilm X-T1, along with its contemporary mirrorless competition, has created quite a splash in the camera market. Mirrorless cameras are quickly catching up to the DSLR realm in terms of speed and performance. Today, the photographer entering the market is faced with a real dilemma when it comes to which interchangeable-lens path to follow—mirror or sans mirror.
In the Dark
I am, primarily, a night photographer. As a photographer, I find that daytime is decidedly less inspiring than
2,157 Views· Posted
In the following video, Allan Weitz shares a useful range of tips to consider when photographing in cold weather. The video begins with a look at some common aspects of shooting that cold weather can affect the most, such as battery failure and mechanical malfunctions. From here, Weitz covers a variety of different protective options for working in cold and wet weather, such as rain covers and skins. Finally, the video wraps with an overview of some other preventative techniques for easier shooting in the cold, such as how to avoid unwanted
2,901 Views· Posted
Dynamic Range is the difference between the brightest part of the scene and the darkest part. Our eyes can see 11 stops of difference between bright light and darkness; a camera can only see five stops. So what we see with our eyes we cannot always capture with a camera. Think of a scene shot from indoors with a window in the background. Invariably, either the window’s light looks nice while the interior is too dark to be seen or if the interior is exposed properly, the light from the window is a washed-out blob of white. The capabilities of
by Todd Vorenkamp · Posted
Make no mistake: the Nikon COOLPIX P900 is a photo-taking telescope that you hold in your hand. The superzoom point-and-shoot camera has been around for years, albeit under the radar, as the point-and-shoot market has been waged in a war against two competing genres of cameras. On one end: the smartphone camera. On the other: the entry-level DSLR camera with its lower and lower price point. If the point-and-shoot is going to survive this war, it is the superzoom camera that will save it. Put simply, there is no smartphone or DSLR on the
by Amanda Bellucco · Posted
Not that long ago, virtual reality was a science-fiction term for a novel photographic concept. Now, it's a tool visual professionals use every day. Without a doubt, VR is becoming one of modern day's most impressive and informative digital resources. The Swiss company, Seitz Phototechnik, has made this technology fast, seamless, and shockingly simple with its Roundshot VR Drive Metric Panoramic Head. Niche though it may be, virtual reality has never been so accessible.
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