Search results for: zacuto
About 38 filtered results
by Mary Latvis · Posted
Shoot, shoot, and shoot some more with Zacuto’s line of Next Gen Recoil Pro Rigs. These latest Zacuto rigs offer comfortable, well-balanced shoulder mounting for an array of popular pro video cameras from ARRI, Canon, Panasonic, RED, Sony, and more. Each configuration features new flip-up Trigger Grip handgrips that quickly rotate from handheld mode to a horizontal position for resting on a flat surface between shots.
by David Adler · Posted
With an apparent M.O. of manufacturing accessories that take your existing camera and make it more ergonomic, it’s no wonder that Zacuto is one of the biggest names in camera-rigging equipment. Zacuto’s next line of handgrips features locking triggers that enable you to adjust your handgrips on the fly at the press of a trigger, and they are thusly called “Trigger Grips.”
Zacuto’s trigger mechanism predates the Trigger Grip. It was originally implemented in the Trigger Arm, which held an extension handgrip. The trigger mechanism was located by
by Steven Gladstone · Posted
The Video Department at B&H Photo is happy to announce Zacuto’s latest cage, designed for the Sony a7III, a7RIII, and a9 cameras. This cage follows Zacuto’s philosophy of protecting your camera while not limiting its functionality or weighing it down unnecessarily. Form fitting, the cage protects your camera from daily bumps and dings while being virtually unobtrusive, rather than the clunky suit of armor that some cages provide.
by Steven Gladstone · Posted
So, you’ve got your camera and now what? Whether it be of the digital cinema, ENG, camcorder, DSLR, or
by Mary Latvis · Posted
This week I enjoyed taking the Panasonic AU-EVA1 Compact 5.7K Super 35mm Cinema Camera out for a spin; in a nutshell, this lightweight EF-mount camera packs a lot into its compact form. Highlights include 5.7K images that are down-sampled to 4K, 2K, etc., V-Log and V-gamut options, 14 stops of dynamic range, in-camera 10-bit recording to
by Steven Gladstone · Posted
I love a well-made product, be it camera, grip stand, dolly, or what have you. Working with a product where form, function, and finish come together as a cohesive whole is such a joy. I also must admit that I love poring over a piece of gear, looking for ways to improve it, and I’m willing to bet that more than a few of you are the same. I recently had the opportunity to discuss the evolution of the Zacuto VCT Pro from the original VCT
by David Adler · Posted
In an earlier article comparing cinema lenses and still photography lenses, I made the point that photography lenses could be modified with aftermarket accessories and procedures to make them more “video and cinema friendly.” Since DSLR and mirrorless cameras started to shoot video, there has been a massive interest in using the readily available photography-lens catalog for shooting video. Many of these lenses, optically speaking, are
by BH Online Videos · Posted
In this video, learn how to analyze video footage with scopes to achieve consistent images in production and post production. Chase Kubasiak, from Zacuto, walks you through the different scopes, shows you what part of the image they analyze, and explains how and in what situation each one can be used to understand what’s going on in your image, beyond what you can see on a screen. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos
by David Adler · Posted
Recent years have seen the camera accessories market expand rapidly. Rod systems that were once obscure are now commonplace, and tools that enhance a camera’s functionality are more readily available than ever. Perhaps this has to do with the burgeoning interchangeable-lens camera market, but standard accessories existed long before that. Camera-system building goes back pretty far in cinema history, and today, the purpose of rigging up a camera with accessories remains the same, for the most part. Cinema-grade 35mm film cameras were often
by David Adler · Posted
When you’re in the mood for gift-giving, or simply have an obligation, what better way to celebrate holidays, birthdays, or anniversaries than to have a look at a some of the innovative video products that have become available this year? Last year, we wrote about some great cameras like the Panasonic DVX200 and the DJI Osmo,
19 Views· Posted
When shooting and editing video, the last thing you should trust, are your eyes! In this video, Chase from Zacuto shows how using tools such as waveform monitors and vector scopes is the best way to ensure proper exposure and color balance.
by BH Online Videos · Posted
In the following video, Chase Kubasiak, from Zacuto, lifts the veil on the complex world of codecs, what they are, how they work, and when to use them. He highlights the two basic types of codecs, examining the relative strengths and weaknesses of each, and where in the production/post-production process you will find them. Kubasiak also delves into Chroma subsampling, and how that affects your image. We hope you enjoy this introduction to codecs and invite you to view the wide selection of other
1,050 Views· Posted
Ever found yourself lost in the maze of codec options when shooting, editing, and delivering your video? You're not alone. In this video, Chase from Zacuto explains the basics of choosing and setting up your codecs for every step of your production.
4,448 Views· Posted
Want to shoot slow motion for your video repertoire? In this video, Chase Kubasiak, from Zacuto, gives us a rundown on the basic dos-and-don’ts of slow-motion capture. From choosing a frame rate, to working with different shutter angles, and what kind of lighting you should be using, there’s a lot to consider when slow-motion is involved. So, sit back and learn all the angles to prepare for your next slow-motion capture session. We hope you enjoy the video, and invite you to view the wide selection of other
by David Adler · Posted
Building a personal camera rig is no easy task. Well, it may seem easy from the outset; however, there are so many things to take into consideration. One of those things is power. Now, it is pretty easy to get away without having a unified power solution for your setup, but once you start running more than just a camera, or your camera just eats through batteries (like my Sony α7S) things can get dicey. My α7S came with two relatively small