Video
- Recently Added
- Popularity
- Name
About 1912 filtered results
by Steven Gladstone · Posted
Welcome to Part 2 of Keys to a Happy and Healthy Production Life.
Hopefully you’ve read Part 1, but if not, be sure to check it out.
Working on productions, and making films at every level can be fun, exciting, thrilling, and rewarding. The key to longevity in the business is both being easy to work with and being valuable to those who hire you. If you’re a director, you must figure out how to balance getting what
Posted
Doug discusses more advanced concepts to help deepen your understanding of frame rates. Both editors and videographers will find this video useful, since it will allow them to work in better tandem. We'll cover timecode basics, fractional frame rates (such as 29.97 fps and 23.98 fps), variable frame rates, and more.
0:00 - In This Video
0:39 - Timecode & Drop-Frames
5:36 - Variable Frame Rates
7:02 - Interlaced Video
10:34 - Telecine & Pulldown
12:47 - Mismatched Frame Rates & Refresh Rates
14:54 - Practical Tips
by Steven Gladstone · Posted
Productions tend to fall into two categories—a disorganized mass of people scurrying around to somehow get the shot off as the sun goes down, leaving crew and cast exhausted at the end of the day, or a smooth moving production that is more like a complex dance, though not as frenetic, far less exhausting, and far more efficient. If you are only going to be working on a film/video production a single time, then the maddening chaos of the first type of production will probably feel very satisfying. However, if you are looking at working in the
by Zack Young · Posted
Canon has unveiled the EOS R6 V, a new full-frame RF-mount camera capable of 7K open gate recording, active cooling, 5-axis in-body stabilization, and Dual Pixel CMOS Autofocus II. This compact video-forward body is ideal for content creation, streaming, podcasting, and a host of other modern production scenarios. Releasing alongside the EOS R6 V is a new
Posted
Frame rates are one of the most fundamental ideas to understand when it comes to technical and creative decisions for your films. It's important to know how frame rates work so you know how they'll affect the final film or broadcast. So, what frame rates are typically used? Why is 24 fps the standard for movies? Are higher frame rates better than lower ones? Join Doug for a crash course on the basics of frame rates.
0:00 - In This Series
0:46 - What Is a Frame Rate?
2:21 - Creative Uses of Different Frame Rates
3:21 - Is a Higher Frame Rate
by Steven Gladstone · Posted
This article is an introduction to virtual production using photogrammetry and other reality-capture technologies. In this article I will discuss what photogrammetry is, and how advances in lidar scanning allow you to use it in pre-viz as well as production.
What Is Photogrammetry?
Simply put photogrammetry is the process of creating a 3D image, or gleaning 3D information about a location from 2D images. Essentially you use a series of 2D images to create a 3D “map” of a surface, area, or room.
Why Use Photogrammetry?
Photogrammetry enables
by Jennifer Hahn · Posted
Keep your lighting nimble in any shooting environment with the new Omnibar LED linear light fixtures just announced by ARRI. These narrow LED lights come in 2’ and 4’ lengths and in black and classic ARRI blue/silver housings, and they are packed with features, including daisy-chaining, IP65 weatherproof, wireless remote control options, magnetic optics, and a built-in battery. The lights come in multiple packages to fit your workflow.
by Zack Young · Posted
In an increasingly digital world, it’s often no longer feasible for an entire technical team to be on site for a production. But as more infrastructure moves to the cloud, physical camera hardware still often stands in the way by requiring in-person setup and fine tuning. That’s where PTZ cameras come in. With their ability to be remotely panned, tilted, and zoomed, they open up a world of possibilities for remote production. So what are the best ways to utilize them? Let’s dive in!
by Zack Young · Posted
ARRI is raising the bar for lens control with the new cforce MAX lens motor. Expect speeds of up to 400 teeth per second, plus low latency, LBUS compatibility, a touchscreen interface, and four-level adjustable torque. The cforce MAX is twice as fast and 15% lighter than cforce Plus motors, yet just as powerful. Compared to cforce Mini motors, expect twice the speed and strength with only a 15% increase in size. With its impressive balance of weight and
by Zack Young · Posted
Do you find yourself getting frustrated with the video coming out of your smartphone? Maybe it’s too dark, too shaky, or the audio sounds muffled and distant? Maybe it’s actually a loved one who’s suffering from this disappointing-phone-video syndrome, resulting in them sharing sub-par clips of youth soccer games, family reunions, and birthday parties? Either way, we have five products that might just solve the headaches and capture smartphone video that everyone will want to watch.
Step one, stop propping your phone against things! It will
Posted
Legacy broadcasting has taken a big shift over the decades, with the shift to digital and now to streaming. Nick and Doug discuss the broadcast, film, and streaming industries, and where heading.
0:00 - Intro
0:50 - From Legacy Broadcasting to Online Content
8:42 - Democratization of Technology
14:03 - Will Smartphones Replace Cine Cameras and Camcorders?
24:32 - The Oversaturation of Content
25:32 - How Does AI Fit Into the Puzzle?
31:20 - NAB 2027
Posted
Doug and Nick are back in the B&H booth's temporary podcast studio to share highlights from day 2 of the NAB Show 2026 (including a few unannounced products!). Ridiculously powerful lighting, broadcasting lenses, shoulder rigs—you won't want to miss a thing from our Las Vegas NAB 2026 roundup!
0:00 - DJI Gear
0:58 - Aputure Booth
7:49 - FUJIFILM Booth
10:20 - Canon Booth
17:49 - SmallRig Booth
25:21 - Nanlux & Nanlite Booth
29:28 - Acsoon Booth
33:30 - Viltrox Booth
36:20 - What's Next?
Posted
Doug and Nick sit down at the B&H Podcast booth to discuss the new announcements from NAB Day 1, such as RODE's RODECaster Studio, GoPro's entrance into cine cameras, DaVinci Resolve's new photo editing feature, and so much more. Whether you're interested in cine cameras, new livestreaming setup, or broadcasting, there's something for you in this video!
0:00 Tilta Booth
4:25 Blackmagic Design Booth
10:50 GoPro Booth
16:13 Atomos Booth
20:46 RØDE Booth
25:17 Adobe Booth
29:21 What's Next?
by Zack Young · Posted
Hollyland is stepping things up with the new Pyro Ultra system, wireless transmitters and receivers capable of sending low latency 4K60p video using proprietary TWiFi technology. Connect one transmitter to an unlimited number of receivers, with automatic frequency hopping and an impressive line-of-sight transmission range of 4900’.
by Jordan Gallant · Posted
Atomos is scaling up its monitoring solutions with the release of the Sumo PRO-19 4K HDR Monitor-Recorder-Switcher. The new iteration of the 19” monitor features a notable display resolution upgrade to UHD 4K HDR while maintaining a combination of live switching and routing capabilities. Like most Atomos monitors, the Sumo PRO-19 features both SDI and HDMI connectivity, comprehensive color support, and a wide array of