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by Steven Gladstone · Posted
Without a doubt, one of the requirements of a cine/video zoom lens is that it holds focus throughout the zoom range. What this means is that with a cine zoom, when you zoom in and focus, as you zoom out, the focus holds and doesn’t drift or require adjustment. In the cine world, this has led to strong spring-less lens mounts and collimation to tolerances of hundredths of an inch. Even in the ENG world, lenses are fitted with a back-focus adjustment, allowing for in-field adjustments, because news cameras didn’t have mounts that were quite as
by Max Waldroop · Posted
Mobile videographers, rejoice! Tripod and accessory maker Joby has unveiled two new mini-tripod smartphone stands, designed to help users record smooth, steady video on the go. The stands are based on a smartphone mount, which clamps onto phones measuring between 2.2 and 3.6" wide, inclusive of protective bumpers or cases. The stand connects to a panning and tilting head that uses an aluminum arm for precise pan and tilt operation. The tilt function can be locked in place for a fluid pan without vertical movement.
The difference between the
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To demonstrate the amazing images of the new EOS C700, Canon put its latest technology on full display. In part two of this discussion panel, cinematographer Russell Carpenter, ASC, and director Tyler Stableford present their short film, “The Calling.” Shot entirely on the C700, it uses the camera's 4k60p mode, and showcases its excellent latitude.
To see what else the C700 is capable of, be sure to check out
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To demonstrate the amazing images of the new EOS C700, Canon put its latest technology on full display. In Part 3 of this discussion panel, Russell Carpenter, ASC, and director Tyler Stableford go behind the scenes into "The Calling" and host an audience Q&A session about the C700 and its use in the production.
To see what else the C700 is capable of, be sure to check out
by Peter Ward_1 · Posted
As with so many consumer products these days, selecting a projector can be a walk in the park when you are armed with the correct information—there are just so many options. Choosing the right projector is a simple process if you are familiar with these prerequisites.
The screen size (width, most importantly)
Distance between the projector and the screen (throw distance)
An estimate of the amount of ambient light present in the room in which the projector will be used
At this point you may be thinking, “Great. But I can't answer any of those
by Staff Writer · Posted
Polly Morgan (BSC) was born in London and worked internationally as a Camera Assistant before attending The American Film Institute, in 2010. Named an ASC Rising Star, in 2012, Morgan has since become one of the youngest members to join the British Society of Cinematographers.
In 2016, she was named as one of Variety’s Ten Cinematographers to Watch. Her feature film credits include The Intervention (Sundance Film Festival); The Truth About Emanuel (Sundance Film Festival); and The Pretty One (Tribeca Film Festival). Her TV credits
by David Adler · Posted
If you’ve ever dreamed of having a television station of your own to produce live video content, perhaps to go along with your YouTube channel, you might have figured out that high-quality solutions that expand beyond a simple webcam are costly in that they require some seriously expensive equipment and advanced setup skills to match. Sling Media (already well known for its other streaming products like the “Slingbox”) is out to change that, in bringing out its all-in-one switching, streaming, and recording device, the SlingStudio. Sling Media
by Steven Gladstone · Posted
Despite my inability to operate a Steadicam well, compounded by the motor shake I induce with every one-handed, cell-phone-type motorized gimbal I've tried so far, once built and set up, the Freefly MōVI Pro Handheld Bundle allowed me to make smooth and cinematic camera moves in a reasonable amount of time.
Although there is a mode for a single operator, ideally this motorized stabilization system works best as a two-operator
by Steven Gladstone · Posted
Casting is one of the most crucial elements of your film—casting the right actor to play the role can make your film, and casting the wrong actor can break it. It is easy enough to get actors interested in your film, and you don’t have to be limited to friends and family unless that is the aesthetic you are pursuing. There are lots of actors, and lots of people who want to be actors, and want to work on your next project. Placing a casting notice will most likely get you deluged with headshots from actors.
As you go through the headshots
by Steven Gladstone · Posted
Working with a fluid head can be a joy. When set up with your camera properly balanced, it is a boon to your production. However, when set up incorrectly, operating your tripod can be a nightmare. I remember when I just started out shooting, I acquired an Akely Gyro head. It was built for 35mm cameras way back in the early 1900s and used gyros to smooth out operation. And there I was, trying to use it with 16mm cameras. It was kind of fun panning with it, since you could hear the gyros start to speed up, and once you started panning, well,
by Steven Gladstone · Posted
Cinematography, videography, photography: ultimately, it is about showing something in a way that hasn’t been seen before. How you achieve this is a combination of framing, exposure, and post effects. It is the Digital Age—you can create just about any effect you want if you have the time, tools, talent, and software, of course. You can also hire someone to pull it off for you. While either of those options are valid, as you probably know, there is more than one way to skin a cat, so the focus of this article will be practical lens
by Staff Writer · Posted
Eve M. Cohen is a cinematographer whose work ranges from independent feature films to television series, documentaries, and cinematic virtual reality. She entered the world of filmmaking through the study of fine art—specifically painting and photography—and holds a BFA in Photography and an MFA in Cinematography, both from UCLA. Her cinematography work for films and virtual reality projects has screened in festivals and theaters around the world. You can find her work on just about every digital platform available, and many TV channels.
by Steven Gladstone · Posted
It starts with a finished script. Unless you are intentionally doing something different, the finished shooting script is the structure that supports the film. There will be many questions that aren’t answered by the script and will require the director’s input; however, without the script, no one will even know what questions to ask. So, it really does begin with the script, and once you have the finished shooting script, you are ready to begin.
Step 1: Break Down Your Script
Have you broken down your script? How many actors, how many
by M. Brett Smith · Posted
Today, DJI announced an exciting round of new products and peripherals for its customers, including the highly anticipated Ronin 2 Gimbal. The new Ronin builds upon and expands the features and capabilities of its predecessor. For starters, the Ronin 2 is a more versatile gimbal system, because it now includes aerial, car mounting, cable, and Steadicam capabilities, in addition to its native handheld camera use. Speaking of cameras, the new