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by David Adler · Posted
Mirrorless cameras have the distinction of being tiny, yet able to deliver some outstanding image quality, sometimes on par with dedicated cinema cameras. This kind of image quality in such a small form factor allows cinematographers to get shots they otherwise would not be able to, without compromising on image quality. On the flip side, though, their ergonomics are not really tailored to conventional cinematic shooting. Sure, you could throw a mirrorless camera on a tripod for some stability, but the built-in viewfinder is rendered out of
by David Adler · Posted
Welcome back, intrepid explorers of the RED DSMC2 ecosystem! In the first part of this bisected examination of the DSMC2 ecosystem and what it has to offer, I explained the philosophy behind the DSMC2 ecosystem and went over the first three building blocks of a RED DSMC2 camera: the
by David Adler · Posted
If, for whatever reason, you’ve had your eye pressed to the viewfinder for the past several months, the news that B&H is now a reseller for RED Digital Cinema cameras and associated products may have passed you by. If that was something that you were pining for, rejoice! However, that exuberance may be slightly offset when you see just how many options are available for building RED cameras. Many cameras on the market from other manufacturers are all-inclusive;
1,459 Views· Posted
Join B&H’s Kelly Mena as she hosts a roundtable discussion focusing on the Panasonic GH5s. Joined by cinematographer Julia Swain; Mysterbox.us members Jacob Schwarz and Sam Bilodeau; and Panasonic’s Sean Robinson; the group considers the features and applications of Panasonic’s latest addition to the video-oriented mirrorless world.
by Steven Gladstone · Posted
So, you’ve got your camera and now what? Whether it be of the digital cinema, ENG, camcorder, DSLR, or
by David Adler · Posted
by Steven Gladstone · Posted
Here at B&H, we are pleased to announce that we now offer the new S1 6K Professional VR Camera from Z CAM. The S1 shoots high-quality spherical VR video at 6K/30 or 4K/60 fps, spherical video being a 360˚ panoramic view extending 90˚ up and down for a 360 x 180˚ field of view. Using a single small camera body and employing four Sony CMOS image sensors to capture your footage saves you the time normally spend building a rig and
423 Views· Posted
In the following video, videographer Chase Kubasiak reviews the GoPro HERO6 Black Action Camera, the latest flagship from the well-known adventure brand. Kubasiak covers the essential improvements, such as the stabilization, image quality, frame rates, and more. To truly push the camera to its limits, Kubasiak hooked up six motorcyclists with the cameras and let them take the HERO6 for a ride. We hope you enjoy the video, and invite you to view
by Mary Latvis · Posted
This week I enjoyed taking the Panasonic AU-EVA1 Compact 5.7K Super 35mm Cinema Camera out for a spin; in a nutshell, this lightweight EF-mount camera packs a lot into its compact form. Highlights include 5.7K images that are down-sampled to 4K, 2K, etc., V-Log and V-gamut options, 14 stops of dynamic range, in-camera 10-bit recording to
26,403 Views· Posted
In the following video, videographer Chase Kubasiak covers modern camcorders and what place they still hold in the ever-more-crowded video market. Kubasiak handles this by talking about three camcorders from Sony and how their features can provide notable advantages in certain situations. In order to test them out, Kubasiak takes the three camcorders to a wrestling match and captures some fun footage. We hope you enjoy the video, and invite you to view the wide selection of other instructional and
8,223 Views· Posted
In this video, Lok Chung takes us on an adventure with the Insta360 ONE Action Cam, a compact 360 camera system that’s designed to work with iOS, and allows you to design your camera movement in post. 360-degree video has been around for a while, but with all the options available, many people might wonder how one can utilize 360-degree video these days. Join Chung for a look at this tool of the trade. We hope you enjoy the video
by Ronald Francis · Posted
With no exaggeration, the motion controller in Rhino's slider systems has the simplest and cleanest interface that I can remember ever using. The entire workflow follows suit, as well. When you turn on the controller, a blue-and-white OLED screen asks you to select a slider, and below that you see a short list of sliders, neatly organized in a vertical display. Turn the dial button to jump to the slider you're using (24", 42", etc.),
by Ronald Francis · Posted
Adobe's new Photoshop Elements and Premiere Elements 2018 are consumer applications offering hundreds of tools and thousands of choices for editing your photos and videos. They are designed easy enough to use that from the moment you open them you'll be able to quickly orient yourself and begin editing, yet they have a sophisticated look and intelligent and stylish workflow. They also each offer an entire
by David Adler · Posted
When being in a band is mostly for the fun of it and you have no label backing, usually all production talent (or lack thereof, in some cases) is left to the members of that band. In this case, for my own band, I was enlisted to shoot a music video. We had basically zero budget, as we tilted our investment resources in favor of the recording and production of the song itself. Shooting your own band’s music video is not without its share of hurdles, so here are a few things that I’ve learned from filming my own band’s music video. So, before we
1,117 Views· Posted
In the following video, Doug Guerra of B&H discusses 4K video and why it is becoming an ever more common format. This is an introduction to 4K and the beginning of a multi-part series where you can learn more about the ever-growing format. Guerra hits on a variety of points, such as future-proofing, impacts to overall image quality, and even how it can benefit Full HD productions. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative