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About 1912 filtered results
by Peter Ward_1 · Posted
The Introduction
In the introduction to his 1912 dramatic writing how-to, Play-Making, William Archer opens with this pessimistic observation:
There is thus a fine opening for pedantry on the one side, and quackery on the other, to rush in. The pedant, in this context, is he who constructs a set of rules from metaphysical or psychological first principles, and professes to bring down a dramatic decalogue from the Sinai of the lecture-room in the University of Weissnichtwo. The quack, on the other hand, is he who generalizes from the worst
by Justin Dise · Posted
Whether you’re assembling a personal lens kit or compiling the equipment-rental list for your next film, selecting a lens package is an important decision. It can also be a daunting one, especially if you’re new to the game. So what lenses should you get? A complete set of primes? A couple of zooms? Both? The answers aren’t always clear. Ask ten DPs what their favorite lenses and focal lengths are, and you’ll likely get about as many answers.
The fact is that everyone has his or her own preferences, from focal length to build quality, to a
by Ronald Francis · Posted
If you’re a newcomer to vlogging, and you’re asked to dress a vlog set, a vlog background, your natural instinct might be to fancy it up. Similarly, if the vlog is topic-specific, you may want to gather numerous items related to that topic in the background. But you may be surprised to learn that these approaches are counterproductive in a vlog, and that something closer to the opposite is best, that less is more.
For the most part, these vlogs constitute interesting, appealing personalities openly sharing their daily lives with the
6,865 Views· Posted
Want to stream live video over the Web? In the following video, Mia McCormick, from KelbyOne Media, demonstrates five essential steps to successfully stream live video, including camera considerations, wired versus wireless connections, capture hardware, and streaming platforms. With each step, McCormick covers important considerations that will help eliminate possible issues that can arise when you get started. We hope you enjoy the video, and invite you to view the wide selection of other
by Steven Gladstone · Posted
As tempting as it is to create fanfare about getting my hands on a pre-release version of Sony's 4K professional camcorder, the reality was very much like the camera itself: quiet, and to all appearances, unassuming. There is quite a bit that I liked about the PXW-Z150, things that most people who shoot for a living are going to find both exciting and, yet, very familiar. But first, a brief look at the tech aspects, before I get to the really
by David Adler · Posted
New for 2016, DJI announces their next evolution in UAS (Unmanned Aerial Systems), updating it with new hardware, a new look, and new functionality. The Phantom 4 continues the heritage of the Phantom line, and improves it in many ways. The newest generation is built around a magnesium core for rigidity
by Justin Dise · Posted
Sony’s latest addition to their professional XDCAM lineup, the PXW-Z150, is a compact and versatile camcorder that merges usability and built-in advanced networking capabilities with broadcast-quality 4K and Full HD video. Most notably, it features a large 1.0” type Exmor RS CMOS sensor, making it the first professional camcorder to utilize
by Peter Ward_1 · Posted
by Peter Ward_1 · Posted
Vlogging, or intertwining video content with blog posts, looks like it might become the new blogging. If you are thinking about starting a vlog, or already have one, you might want to know what tools are best to use. In this part of Explora’s vlogging how-to series, we will consider sound; in particular, how to capture and record great sound.
With vlogging, as with other types of audio acquisition, the basic challenge is the same
80,059 Views· Posted
In this head-to-head comparison, it's the a7R II and a7S II mirrorless still cameras up against the cinema-ready FS7 video camera. With 4K recording in all three cameras, how do still cameras compare to a dedicated video camera in quality, ergonomics
by Steven Gladstone · Posted
In the world of film production, a Digital Imaging Technician (DIT) can be many things. Depending on the scope of the production, the scope of their job is constantly evolving. Taking advantage of the wonders of email, I checked in with a few working DITs to get a better understanding of their complex and ever-changing job. What became apparent quickly was that although most people in the industry start off as beginners, taking on the role of DIT requires a healthy balance of experience, people skills, technical knowledge, and an almost
by David Adler · Posted
Coinciding with the so-called “DSLR Revolution,” SmallHD has since been supporting camera assistants (ACs) assigned the daunting task of pulling perfect focus, Directors of Photography (DPs) light and compose their shots, and Directors (no fancy acronyms for this one) realize their vision, with affordable, high-quality, and durable monitoring solutions. I became familiar with SmallHD’s products when I was working in a video equipment rental house. As DSLRs and other popular video cameras would go out on rental, any SmallHD DP4, DP6, and DP7
by Justin Dise · Posted
As a Sony a7R II shooter, I was thrilled when Veydra announced that select lenses from its line of Mini Primes would be made available with Sony E mounts. Originally designed for MFT cameras, the Mini Primes are purpose-built from the ground up for cinema applications, rather than being re-housed DSLR lenses. Featuring matching sizes, front diameter, 0.8 mod (cine-style) gears on the focus/iris rings, and T2.2 maximum apertures, the Mini
by Ronald Francis · Posted
If you shoot with up to 50 lb of weight, including with entry-level weights, you might find the new video-head lineup from Cartoni a very realistic match for your needs and investment considerations.
While the 80-year old Italian brand is most famed for its high-end tripod systems, over the past decade Cartoni has also been supporting reduced camera sizes with several entry- and mid-level heads. These options are distinguished for their counterbalance and smooth drag, light weight and solid builds, and long-term consistency.
by Justin Dise & Shawn C. Steiner · Posted
Just a few years ago, when DSLRs were the king in low-budget indie productions, it was easy to see the difference between the video quality of these hybrid stills/video cameras and a professional filmmaking tool. Currently, when talking about pure image quality, the differences aren’t always so obvious, and sometimes they’re practically nonexistent. With Sony’s latest and greatest mirrorless releases of the a7R II and