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by Ronald Francis · Posted
If you’re in the market for a teleprompter for your web projects, an affordable mobile solution may be ideal for you, and B&H carries several that cost less than $200 at the time of this writing. These teleprompters use a tablet or smartphone instead of a dedicated monitor to produce scrolling text, and this allows them to be very compact in design, to work without any power cables or external batteries, and to provide an easier to transition for someone new to teleprompting. Let’s check out which one would work best for you.
The
by Peter Ward_1 · Posted
Like so much else in tech work, live video production is riddled with jargon. In addition to a series of articles providing in-depth discussion, this space serves to enumerate some of the key terms and concepts you are likely to bump into sooner or later, which may be unfamiliar. Knowledge of these terms will enhance your ability to communicate clearly in this fast-paced industry.
Alpha Channel
This is a mask that defines the transparency portion of an image. When creating graphics for live production, alpha channels obviate the need for
by Mary Latvis · Posted
The B&H SuperStore is pleased to announce the introduction of two new Sigma high-speed zooms, designed specifically for digital cinematography. The wide 18-35mm and the longer 50-100mm are available in two popular mount versions: Canon EF 18-35mm, Canon EF 50-100mm,
by Peter Ward_1 · Posted
PTZ stands for “pan/tilt/zoom” and denotes robotic cameras that typically (though not always) have integrated pan/tilt motors and zoom lenses. The Sony EVI series cameras are popular examples. Pan/tilt/zoom cameras may look like outsized surveillance cameras, and in many ways, are like them. They are designed to be installed permanently and can be enclosed in dome housings for protection or aesthetics. However, the benefits of PTZ cameras are
by Mary Latvis · Posted
In some exciting pre-NAB news, Blackmagic Design has announced the introduction of its latest iteration of the URSA Mini, the URSA Mini Pro. The new Mini Pro features ergonomically designed side-panel controls, built-in optical ND filters, an interchangeable lens mount, and a high-visibility LCD panel. The URSA Mini Pro retains the 15-stop dynamic range, 4.6K-resolution sensor, and up to 60p/4.6K frame rate of the URSA Mini. Recording
by David Adler · Posted
While they may have been overshadowed by the newly available and superbly powerful Shogun Inferno, the Atomos Shogun Flame and Ninja Flame are still worth a look.
The entry-level Flame model is the Ninja Flame. If you primarily use
by Steven Gladstone · Posted
Announcing two new SmallHD monitor bundles now at B&H Photo. The newly announced 503 UltraBright and 703 UltraBright monitors each feature screen brightness well over 2000 cd/m² and are available as introductory bundles. The 503 and 703 UltraBright monitor bundles include a monitor, hard case, neoprene sleeve, D-Tap to LEMO power cable, and BNC Cable. The 5" 503 and 7" 703 feature a milled aluminum unibody design for a strong, yet lightweight chassis, with SDI and HDMI in/outs with cross conversion.
Of course, where these new monitors
by Peter Ward_1 · Posted
Things aren’t as simple as the days when most video cameras (broadcast and ENG cameras aside) just came with a built-in lens and that was that. Now, between DSLRs, mirrorless cameras being used for video, and cinema cameras that have still-camera lens mounts, one is stuck with the daunting task of picking out a set of lenses.
If I can only choose one lens, what is the best?
First, I would like to dispel any notion that there is one “best” lens. There isn’t. Lenses come in different focal lengths because different shots work best (or at all)
by Steven Gladstone · Posted
It always seems to be a battle, doesn’t it? What do I get? Do I go for a kit of prime lenses, or jump into a zoom and then I can pick up primes later? Well, if we all had unlimited resources, we would just get both, but that isn’t always possible for most of us. Having faced this very dilemma in the past, I thought I would share the strengths and weakness of each so you can have a better idea of which is best suited to your needs.
Prime Lenses (Fixed Focal Length)
Prime lenses, also known as fixed focal length lenses, tend to weigh
by Ronald Francis · Posted
The main things to consider when creating an HDR video are the reference monitor and the format. The monitor is the big issue because HDR monitors are very expensive. The most affordable one at the time of this writing is close to $20,000.
What is HDR Video?
HDR (High Dynamic Range) video is an emerging technology that will be the future of video, for professionals and consumers. HDR video is simply footage graded to display intense colors and high contrast between colors. The dynamic range captured by the camera is extended—detail is highly
by David Adler · Posted
Anamorphic is everywhere. From epic drama and science-fiction films to football’s cheesy Big Game advertisements, it’s hard to escape that ethereal, otherworldly aesthetic of the “anamorphic look” that just seems to imply the term “high budget.” In this article, I will teach you a few tips and tricks to “fake” this prized and stylized look. Why would anyone want to “fake” the look? The reason is that true anamorphic productions require very expensive, and often rare, lenses that very few filmmakers can afford to own and properly maintain. Some
by Mary Latvis · Posted
As the market for cine-style lenses has grown, users are faced with an ever-expanding choice of lenses. To make choosing a set easier, several manufacturers have put together kits of popular focal lengths, enabling you to purchase a pre-grouped set of primes. Cine-Style Prime
by Steven Gladstone · Posted
We are happy to announce that B&H is carrying the Beholder MS-PRO 3-Axis Stabilizer, from ikan. Ideal for mirrorless cameras, this easy-to-use stabilizer supports up to 1.9 pounds and features a 32-bit encoder and 12-bit controller for smooth precise stabilization. You mount your camera on the included quick-release plate, and then balance the camera on the MS-PRO. Lever locks allow you to secure the camera and lock its balance, without
by Ronald Francis · Posted
Bluefish444 is an Australian-based manufacturer of video input/output solutions. Its focus is almost solely on advanced SDI and HDMI I/O cards and accompanying software, and the company offers options for video professionals and developers. Bluefish444 I/O cards are among the priciest, but Bluefish444, nonetheless, has a customer base of more than 21,000. Most of the customers are businesses. Bluefish444 is repeatedly the first to break many grounds, and its innovations have introduced new ways of doing things for many companies.
by BH Event Space… · Posted
In this B&H Event Space video, filmmaker Brandon Li shares his favorite techniques for creating a story out of purely improvised material. His strategy for creating a film is heavily dependent on the unexpected, and for using those unexpected elements to fuel creativity. Working without scripts or storyboards, it is part of his plan to have events go not according to plan. Li guides you through his filmmaking process, using clips from his many improvised films to underscore talking points. Topics discussed include: planning your shoot to