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Monitors are a critical component for a video production set. Sidney shares what to look for in an on-camera monitor, featuring the SmallHD ULTRA 10 4K Portable Production Monitor.
0:00 - In This Video
0:20 - Size
1:03 - Brightness
1:27 - Color Accuracy
1:58 - Connectivity Options
2:54 - Professional Monitoring Tools
3:40 - Conclusion
Sponsored by
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Whether you’re under the blazing hot sun or in the freezing tundra, the SmallHD Ultra 7 is ready for any condition. Reilly shares what makes this on-camera video monitor work for everyone on your filmmaking team.
0:00 - Key Specs
0:24 - Unruly Conditions
1:05 - 4K & Camera Compatibility
1:40 - Interface
2:32 - Light Metering & Color Calibration
3:41 - Physical Specs & Wireless
4:32 - Is This for You?
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Atomos has updated its arsenal of on-camera monitors with the new Shinobi II 5.2” HDMI HDR Monitor, featuring more hardware functionality, camera control, and a sleeker, more versatile design.
Atomos Shinobi II 5.2” HDMI HDR Monitor
Like its predecessor, the
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Level up your video calls with the OBSBOT Tiny 4K, a PTZ Webcam that is powered by AI. Its features include 4K video at 30 fps, sharp autofocus, AI-driven auto-exposure, an omni-directional microphone with noise cancellation, gesture control, and other helpful features.
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Join us in the field as we discuss our experience using the Atomos Ninja V+.
What do you think of this 4K monitor? Is it on your list of must-have gear? Tell us about it in the Comments section, below.
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Doug takes the Panasonic AG-CX10 out to test its various features, such as the built-in ND filter and 5-axis hybrid O.I.S. system.
Like what you see? Read more about the CX10 in this Hands-On Review.
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Jake introduces the new DJI Mavic Air 2. This lightweight drone contains highly advanced features such as 48MP photos, 4K at 60 fps, 1080p at 240 fps, 8K Hyperlapse, HDR video, a 10km video transmission range, and up to 34 minutes of flight time. Additionally, the Air 2 has a newly designed controller and smartphone clamp.
Check out the video, then read more about the Air 2 on
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Want to know the difference between a vectorscope and histogram, or how focus peaking works? Doug uses the Atomos Shinobi to show how to use a field monitor during a video production.
2,584 Views· Posted
32,927 Views· Posted
Join B&H photo-video team member Jake Estes as he tests the new DJI Mavic Air drone. Estes puts the Air through its paces, testing flight performance, image quality, and different capture modes—all in the wintry backdrop of upstate Hudson Valley. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
11,870 Views· Posted
HDR is all the rage these days, though sometimes trying to wrap your head around the concept of HDR can be challenging. In this hands-on review video, Doug Guerra will show you how the Atomos Shogun Inferno embraces HDR and how log workflows, in particular, can benefit from HDR monitoring regardless of which camera you’re using. We hope you enjoy the video, and invite you to view the wide selection of other
1,370 Views· Posted
In the following video, B&H Photo’s Doug Guerra presents Part 1 of our 4K production series, which is designed to help you navigate the intricacies of the 4K production workflow. Concentrating on camera, lens, and media in this first video, Guerra will suggest things to consider when choosing the right gear for the right job, as well as show three cameras—the C300 MarkII, the
35,112 Views· Posted
In this video, Jake gets a first look at Canon's brand new XF-405, XF-400 and GX-10.
37,296 Views· Posted
Here's our first look of the brand new Canon Cinema EOS C200. Featuring up to 15-stops, on a Super35mm sensor, it can shoot DCI compliant 4K Cinema Raw Lite @ 60 fps and 10-bit color and 4K DCI Cinema Raw lite @ 30 fps and 12-bit color.
8,846 Views· Posted
Watch Doug Guerra as he focuses his attention on the Canon 70-200mm T4.4 Compact-Servo zoom lens. The video will include footage shot through the 70-200mm compact -servo lens, as well as footage shot through a similar Canon lens that is not designed for the demands of cinema and ENG production. Guerra will also highlight the features of the lens including its fully functional EF mount that provides power through the body, the zoom rocker, and