Leitz Cine Prime 35mm Lens (Feet, LPL Mount)
- Covers VistaVision 46.5mm Image Circle
- ARRI LPL Mount
- T1.8 to T22 Aperture Range
- Geared Focus and Iris Control Rings
Leitz Cine Prime 29mm Lens (Feet, LPL Mount)
- Covers VistaVision 46.5mm Image Circle
- ARRI LPL Mount
- T1.8 to T22 Aperture Range
- Geared Focus and Iris Control Rings
Leitz Cine Prime 25mm Lens (Feet, LPL Mount)
- Covers VistaVision 46.5mm Image Circle
- ARRI LPL Mount
- T1.8 to T22 Aperture Range
- Geared Focus and Iris Control Rings
Leitz Cine Prime 21mm Lens (Feet, LPL Mount)
- Covers VistaVision 46.5mm Image Circle
- LPL Mount
- T1.8 to T22 Aperture Range
- Geared Focus and Iris Control Rings
Cooke 85-215mm Varotal/i Full Frame Zoom Lens (PL Mount, Feet)
- Covers up to Full Frame Sensor Size
- 9-Blade Iris, T2.9 to T22 Aperture
- PL Mount with /i Technology
- Color-Matched to S7/i Prime Range
ZEISS Supreme Zoom Radiance 70-200mm T2.9 Lens (ARRI PL, Feet)
- Full-Frame Coverage | T2.9 to T22
- Controlled Flaring with T* blue Coating
- Slightly Warmer Look than Supreme Primes
- ZEISS eXtended Data/Cooke /i Technology
ZEISS Supreme Zoom Radiance 28-80mm T2.9 Lens (ARRI PL, Feet)
- Full-Frame Coverage | T2.9 to T22
- Controlled Flaring with T* blue Coating
- Slightly Warmer Look than Supreme Primes
- ZEISS eXtended Data/Cooke /i Technology
ARRI Ensō Prime 18, 24 & 32mm 3-Lens Set (ARRI LPL, Feet)
- 18, 24 & 32mm Lens Set
- T2.1 Aperture, 1:4 Magnification
- 95mm Front Outside Diameter
- Cooke/i & ARRI LDS-2 Lens Communication
Leitz Cine HEKTOR T2.1 6-Lens Set (Sony E, FUJIFILM G)
- Full-Frame Coverage | T2.1-T22 Aperture
- 18, 25, 35, 50, 73 & 100mm Lenses
- Switchable Sony E & FUJIFILM G Mounts
- Gentle Petzval Effect, Colorful Flares
Leitz Cine Prime 180mm Lens (Feet, LPL Mount)
- Covers VistaVision 46.5mm Image Circle
- ARRI LPL Mount
- T2 to T22 Aperture Range
- Geared Focus and Iris Control Rings
Leitz Cine Prime 18mm Lens (Feet, LPL Mount)
- Covers VistaVision 46.5mm Image Circle
- LPL Mount
- T1.8 to T22 Aperture Range
- Geared Focus and Iris Control Rings
Leitz Cine 350mm T3.6 Prime Lens (Feet, LPL Mount)
- Covers VistaVision 46.5mm Image Circle
- ARRI LPL Mount
- T3.6 to T22 Aperture Range
- Geared Focus and Iris Control Rings
Fujinon Premista28-100mm T2.9 Large-Format Cine Lens (PL)
- Covers Large-Format Sensor Size
- 46.3mm Diameter Image Circle
- ZEISS eXtended & Cooke /i Lens Data
- 280° Focus Rotation
ARRI Ensō Prime 47, 75 & 105mm 3-Lens Set (ARRI LPL, Feet)
- 47, 75 & 105mm Lens Set
- T2.1 Aperture, 1:4 Magnification
- 95mm Front Outside Diameter
- Cooke/i & ARRI LDS-2 Lens Communication
Fujinon Premista80-250mm T2.9-3.5 Large-Format Zoom Lens (PL)
- Covers Large-Format Sensor Size
- 46.3mm Diameter Image Circle
- ZEISS eXtended & Cooke /i Lens Data
- 80-200mm T2.9, 201-250mm T3.5
ARRI Signature Prime 200mm T2.5 Lens (Focus Marks in Feet)
- Covers Large-Format Sensor Size
- ARRI LPL LDS-2 Mount
- Magnetic Rear Filter Holder
- T2.5 to T22 Aperture Range
Canon CN-E 30-300mm T2.95-3.7 L SP PL Mount Cinema Zoom Lens
- Covers APS-C & Super 35 Sensor Sizes
- Suitable for 4K Image Capture
- 11-Blade Iris for Smooth Bokeh
- Geared Inner Focusing Reduces Breathing
Canon CN-E 30-300mm T2.95-3.7 L S EF Mount Cinema Zoom Lens
- Covers APS-C & Super 35 Sensor Sizes
- Suitable for 4K Image Capture
- 11-Blade Iris for Smooth Bokeh
- Geared Inner Focusing Reduces Breathing
Fujinon ZK12x25-F Cabrio 25-300mm T3.5-3.85 Zoom Lens (ARRI PL)
- Super 35 Format | T3.5-3.85 to T22
- Advanced 4K Optical Performance
- 0.8 MOD FIZ Gears, 280° Focus Rotation
- Optional Drive Available Separately
ZEISS Supreme Zoom Radiance 15-30mm T2.9 Lens (ARRI PL, Feet)
- Full-Frame Coverage | T2.9 to T22
- Controlled Flaring with T* blue Coating
- Slightly Warmer Look than Supreme Primes
- ZEISS eXtended Data/Cooke /i Technology
Leitz Cine HUGO II 3-Lens Set (ARRI LPL, Feet)
- Full-Frame 35mm Coverage | T1.5
- 66, 75, and 90mm T1.5 Primes
- Classic Focus Roll-Off, Rich Color
- 0.8 MOD Cine Gears
ARRI 24-75mm T2.8 Signature Zoom Lens with LPL Mount (Feet)
- Covers Sensor Sizes up to Large Format
- Suitable for 8K Image Capture
- T2.8 to T22 Aperture over Entire Range
- Matches Look of Signature Primes
ARRI 45-135mm T2.8 Signature Zoom Lens with LPL Mount (Feet)
- Covers Sensor Sizes up to Large Format
- Suitable for 8K Image Capture
- T2.8 to T22 Aperture over Entire Range
- Matches Look of Signature Primes
ARRI Signature Prime 280mm T2.8 Lens (Focus Marks in Feet)
- Covers Large-Format Sensor Size
- ARRI LPL LDS-2 Mount
- Magnetic Rear Filter Holder
- T2.8 to T22 Aperture Range
ARRI Signature Prime 12mm T1.8 Lens (Focus Marks in Feet)
- Covers Large-Format Sensor Size
- ARRI LPL LDS-2 Mount
- Magnetic Rear Filter Holder
- T1.8 to T22 Aperture Range
Cooke miniS4/i Cine Lens Set of 6 x Lenses (18/25/32/50/75/100mm, Feet)
- Covers S35mm Format Sensor
- T2.8 Maximum Aperture
- Color-Matches All Cooke Lenses
- /i Technology, Linear Iris, PL Mount
Fujinon Premista 19-45mm T2.9 Large-Format Cine Lens (PL)
- Covers Large-Format Sensor Size
- 46.3mm Diameter Image Circle
- ZEISS eXtended & Cooke /i Lens Data
- 280° Focus Rotation
Cooke Macro/i Full-Frame 3-Lens Prime Set (60/90/150mm, ARRI PL)
- 60, 90, and 150mm Macro Lenses
- Covers Full Frame | T2.5-T22 Aperture
- 1:1 Macro Focusing
- Color-Matches All Cooke Lenses
Learning About Cinema Lenses
Cinema lenses record continuous motion and produce high-quality videos for filmmaking. From build quality to focal length, cine lenses come in different configurations. Therefore, it's important to understand their specific features in order to make the right buying decision. If you're a beginner filmmaker, consider used cine lenses.
Features of Cine Lenses
1. Accurate Focus Control
Cine lenses have the ability to focus on moving objects and smoothly toggle focus from one subject to another. You can easily keep moving subjects in focus by gently adjusting the focus ring and following through as the subjects move. The focus ring rotates past 270 degrees to give you a sufficient focus throw.
2. Beautiful Optical Quality
A cine lens offers exceptional image quality even in poor light. It also produces sharp images across the frame. With these lenses, you won't have to worry about chromatic aberrations, vignetting, and barrel distortion.
3. Internal Zoom Control
A cine lens gives you full control when zooming in and out without changing length because the focal distance adjusts internally. This offers great convenience when shooting, especially when the camera rig is on a stabilizer system.
4. Light and Aperture Control
A cine lens has iris rings that regulate the amount of light passing through the lens, allowing you to adjust aperture and exposure smoothly without any clicking.
Different Types of Cinema Lenses
Choose cine lenses according to your intended use. Zoom lenses are great if you're looking for something with adjustable focal length. Cinema prime lenses, on the other hand, have a fixed focal length and don't allow you to zoom in and out. Telephoto lenses are great options for filming at a distance, while wide-angle lenses allow you to capture expansive scenes. Macro lenses allow you to film microscopic subjects in incredible detail.



