Please update your browser to take advantage of the latest technology security enhancements to ensure your B&H Shopping experience is as safe as it is enjoyable:
Pairing an exceptionally wide angle of view with the ability to correct for perspective distortion, the Laowa 20mm f/4 Zero-D Shift from Venus Optics is an ideal lens for architectural and interior photography. Offered here in a Sony E mount, the lens's broad 94.4° angle of view is complemented by an impressive +/- 11mm shift range to compensate for unwanted converging lines and keystone distortion. Additionally, as part of the Zero-D lens series, this lens also renders scenes with a high degree of accuracy and very low distortion.
Pairing an exceptionally wide angle of view with the ability to correct for perspective distortion, the Laowa 20mm f/4 Zero-D Shift from Venus Optics is an ideal lens for architectural and interior photography. Offered here in a Sony E mount, the lens's broad 94.4° angle of view is complemented by an impressive +/- 11mm shift range to compensate for unwanted converging lines and keystone distortion. Additionally, as part of the Zero-D lens series, this lens also renders scenes with a high degree of accuracy and very low distortion.
Ultra-wide lens designed for full-frame Sony E cameras but can also be used with APS-C models where it provides a 32mm equivalent focal length.
As part of the Zero-D series, this lens has an optical design that renders subjects with minimal distortion in order to suit architectural, interior, and landscape applications.
Integrated +/- 11mm of shift adjustment helps to correct perspective distortion and eliminate keystone distortion.
Large image circle easily covers full-frame sensors without any vignetting. Additionally, this lens can also be adapted to select medium format mirrorless cameras, where up to +/- 8mm of shift is available.
Two aspherical elements limit spherical aberrations and distortion for improved sharpness and accurate rendering.
Three extra-low dispersion elements reduce chromatic aberrations and color fringing for increased clarity and color neutrality.
Manual focusing design and a minimum focusing distance of 9.8" suits working with close-up subjects.
Fourteen-blade diaphragm creates smooth and circular bokeh as well as specular highlights when stopped-down and photographing point light sources.
360° rotatable lens hood prevents unwanted lens flare and washed-out images and allows you to adjust the angle of the lens hood to avoid blocking the image during extreme shifts in composition.
Water-resistant "frog eye" coating protects front lens element from water droplets and moisture.
Compatible with optional Shift Lens Support for more balanced mounting and to better enable using the lens for shift-type stitched panorama shooting without parallax error.
EAN: 6940486702606
Venus Optics Laowa 20mm f/4 Zero-D Shift Specs
Focal Length
20mm
Aperture
Maximum: f/4 Minimum: f/22
Lens Mount
Sony E
Lens Format Coverage
Full-Frame
Angle of View
94.4°
Tilt-Shift
+/- 11 mm Shift
Minimum Focus Distance
9.8" / 25 cm
Magnification
1:5.9 Macro Reproduction Ratio 0.17x Magnification
Optical Design
16 Elements in 11 Groups
Aperture/Iris Blades
14
Focus Type
Manual Focus
Filter Size
82 mm (Front)
Dimensions
3.7 x 3.6" / 95 x 91 mm (Diameter x Length)
Weight
26.3 oz / 747 g
Packaging Info
Package Weight
2.93 lb
Box Dimensions (LxWxH)
9.1 x 5.8 x 5.2"
Venus Optics Laowa 20mm f/4 Zero-D Shift Reviews
Good for NIkon Z
By william
Rated 4 out of 5
Date: 2025-05-06
I could not find any other option that natively has a Z mount besides this and the Laowa 15 mm shift lens. I own this and have used both. They are less sharp even in the center than a good Nikon S lens, but they serve a special purpose.
Below, see the difference between using a 14 mm ordinary lens, and the 15mm Laowa shift lens at the gateway arch (2 image pano)
Good so far, with a slight learning curve
By Blake
Rated 4 out of 5
Date: 2025-01-16
So far the lens has proven fairly dependable. It need to be stopped down quite a bit to maintain sharpness through the plane, which feels finicky. You have to rely on your cameras focus assist to get reliable focus in my experience. Lots of focusing at infinity for many exterior subjects. Decently sharp when used as such. Distortion control is solid! Weight doesn't bother me since it's not so much a lens-on-the-go.