IBC 2026
Atomos, a go-to source for professional video monitors, has updated their product line with two new monitors: the 7” Shinobi 7 II and the 19” Shogun AV-19M. Each is designed to enable filmmakers, photographers, and crew members to monitor, control, and deliver the images they envision at all
OWC is announcing not one but two brand-new hubs! The OWC USB4 Hub and Thunderbolt 5 Dock are both designed for specific-use cases, giving diverse types of users the flexibility and expansive capabilities they need to streamline their workload and transform their laptop into a fully functioning workstation.
USB4 Hub
Equipped with six ports, the USB4 Hub leverages an incredibly fast 40 Gb/s transfer speed and bandwidth to expand the
Venus Optics is announcing two new mount compatibilities for its Laowa 180mm f/4.5 1.5X Ultra Macro APO lens: an autofocus FUJIFILM X lens and a manual focus Nikon F lens.
Long a popular, reliable source for video switching systems, the TriCaster series from Vizrt now features a simplified lineup. Live broadcasters and event producers can now access one unified architecture with three tiers: the TriCaster Vizion with 8 or 16 SDI I/O,
Angelbird is happy to announce its latest V PRO CFexpress v4 Type A memory cards designed for creatives looking to capture cinema-quality 8K RAW videos, as well as those involved in extended burst photography.
The AV PRO CFexpress v4 Type A cards offer consistent read and write performance across the entire capacity with sustained write speeds of 1000 MB/s and read speeds of 1700 MB/s. In a well
Neumann has announced the release of the new KK 104 A and KK 105 A cardioid condenser capsule heads meant for wireless systems, particularly the newly announced Sennheiser Spectera Handheld Transceivers, along with the Sennheiser EW-D, EW-DX, and Digital 6000/9000 handheld transmitters.
Panasonic is shaking up the professional PTZ game with the new AW-UE200, AW-UE210, AW-UER200, and AW-UER210, all available in black or white and featuring a groundbreaking global shutter MOS sensor. The R-variations add a roll functionality while the 210-versions sport built-in SMPTE ST 2110 and Dante compatibility. These pro-level 4K PTZ cameras are built for demanding sports, live events, virtual production, corporate video, and more.
Sony is giving a big hand to video shooters with the new RM-DP7 and RM-DP5 cinema line monitor controllers. These 1920 x 1080 7” and 5” monitors have factory-calibrated colors, 2000 nits of brightness, BIG6 setting adjustments, and more. Both feature user-adjustable LUTs, dust and moisture resistance, and assignable buttons alongside a control knob and multi-function dial. They’ll work with the FX5, FX3, FX2, and FX30 at launch, with FX6
Sirui continues to provide anamorphic innovation with their new Saturn V2 series, 1.6x-squeeze T2.9 cine lenses with full-frame coverage and support for both horizontal and vertical anamorphic shooting. The lenses weigh under 500g and have neutral flaring that adapts to the color of the light source. The initial set consists of a 35mm, 50mm, and 75mm, and is available in Sony E, Canon RF, and L-mount.
In addition to their impressive weight
Aimed at high-end, cine-style productions, the new NIKKOR Z CINEMA 50mm T1.9 VV Lens is part of an upcoming nine-lens series covering larger than full-frame sensors. Compatible with RED V-RAPTOR [X] VV cameras, these lenses feature high optical performance and a precise autofocus function. Continuing the fusion of Nikon engineering and RED DIGITAL CINEMA recording/color science, Nikon has also released v2
Expanding their camera range for project site and location monitoring applications, enlaps has unveiled the Tikee Mini S with Soft Case and Tikee Mini S Pack Kit camera bundles for fleet management.
enlaps Tikee Mini S Pack Kit
Equipped with Wi-Fi and 4G LTE connectivity (subscription and SIM card required for 4G LTE), the battery-powered
Fresh in with the 2026 fall lens crop, the DZOFilm Arles 25-75mm and 65-180mm T2.6 FF Zoom Cine Lenses bring the soft, natural bokeh and cinematic, painterly depth of the existing Arles prime series to your shoot in a convenient zoom form. Available individually and in a two-lens set, these
Hollyland’s Pyro line of wireless products has a new standout, the Pyro 7 Ultra, a wireless 7” transceiver monitor with professional twin dual-band Wi-Fi transmission (dubbed “TWiFi”) and broadcast-ready QD-LCD architecture for high-level color accuracy. With cinema-grade specs and a range of 3300’, it’s built for the most demanding production environments. Read on for more details!
Nanlite continues to expand upon its FC line with the release of two new 1350W LED spotlights, the RGBW FC-1200C and the Bi-Color FC-1200B. These powerful fixtures, with their innovative wing-shaped top housing, offer the line's highest-output continuous light for film, broadcast,